Stan Freberg, pronounced Freeberg, was one of the most inventive men in advertising history. Son of a Baptist minister, of Swedish and Irish descent, he was a gifted humorist whose imagination fueled a career that included comedy records, hundreds of cartoon voices, and a prestigious radio slot succeeding Jack Benny.
Freberg called himself a “guerrilla satirist,” using humor to tackle everything from the commercialization of Christmas to political hypocrisy. His 1961 comedy album Stan Freberg Presents the United States of America earned Time Magazine’s praise as “the finest comedy album ever recorded.”
He entered advertising because he thought most commercials were, in his words, “moronic.” Working mostly as a creative consultant, Freberg shattered Madison Avenue conventions. He once produced a six-minute musical commercial for Butternut Coffee to explain why the brand lagged behind its competitors.
His ads were subversive and effective. For Pacific Airlines, he turned fear of flying into humor: passengers received “survival kits” with security blankets, rabbit’s feet, and fortune cookies reading, “It could be worse.”
Sunsweet prunes? “Today the pits, tomorrow the wrinkles!”
Chun King Chow Mein? Nine out of 10 doctors preferred it. The camera pans to show the doctors, 9 of them Asian and the other one Caucasian.
Freberg insisted on control over his work, inserting a contract clause stating: “The decision as to what’s funny and what is not funny shall rest solely with Mr. Freberg.” Advertising Age called him the “Father of the funny commercial” and one of the 20th century’s most influential admen.
He wasn’t just funny. He changed the way advertising could entertain, persuade, and stick in people’s minds.